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kaleem patience

When We Wait

Tasneem Kaleem

About the artist: 

Tasneem Kaleem is a radiation-oncology resident. “I was always artistically inclined from a young age, engaging in painting, dance and violin. I spent a summer in Rome studying artistic anatomy, which piqued my interest in medicine.” Kaleem’s artwork has been featured in many exhibitions, and recently her pastel work was selected to be a front cover for an international medical journal.

About the artwork:

“Waiting rooms bring together people for a purpose–to obtain medical attention. Whether it is you or a family member, it is a stressful yet universal experience. Some may be waiting for loved ones to return from surgery; others maybe awaiting a meeting with the doctor to review a recent diagnosis. The waiting room is where we come within close proximity of one another for a common purpose. Despite this closeness and shared experience, most waiting rooms are quiet because of the psychological distance between those present. I have observed this not only as a physician but » Continue Reading.

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Universal Act of Emotion

 
Throughout most of my life, I regarded crying as a sign of weakness. Just as men often don’t like to cry, I saw crying as a symbol of sensitivity and fragility. Whenever I found myself needing a good cry, I would lock myself in my room and let it all out–let out the pain, let out the suffering, let out the anger. I would cry so much that it felt as if a gallon of water was pouring out of me, as if weight was physically being lifted off of my shoulders. I thought that the only reason I should cry was out of anger or pain.
 
But I have since learned that sometimes I need to cry just to cry–and that that’s okay.

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First Combat, Then Conversation

 
2010: I’m a 25-year-old premedical student, an herbalist and a volunteer at a free clinic. I’m experiencing unaccountable fatigue, achiness, brain fog and dizziness. After a series of medical evaluations, I receive a dreaded diagnosis–Lyme disease, the same infection that crippled my mother, that I now feel twisting my body and contorting my mind. I am infected with terror.

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Who Would Want to Do This?

Kristin Beard ~

“Get the patient on the monitor.”

“How long has he been down? Someone get on the chest!”

“Keep ventilating. He’s in v-fib. Defibrillate at 200.”

“Charging, everybody clear?…Shock delivered.”

“Resume compressions. Push one of epinephrine…Hold compressions. What rhythm is he in?”

“He’s asystole, resume compressions.”

We repeat the process a hundred times over. The medic said they started coding the patient an hour ago. The family is in the consult room with the chaplain.

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Unalienable Right

 
The Declaration of Independence endows all of us with “certain unalienable Rights…among these are Life, Liberty and the pursuit of Happiness.” An ill person who lacks medical support does not have the wherewithal to pursue happiness. An ill person who is denied health care due to prohibitive costs does not possess liberty. Most fundamentally, a government that deprives its citizens of affordable health care profoundly undermines the life of those citizens. 

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A Day Out From the Nursing Home

John Grey ~

Your bones tremble.
Freedom no longer suits you.
Warm sun on skin feels wasted.
The smell of pine…
where’s that old familiar ether?
So many active people on the sidewalk,
behind the wheels of cars.
Who have they come to visit?

Your daughter grabs your hand,
tries to pull you back into your old life,
but it’s no longer known in these parts.
The house you grew up in…
well so she says.
The field where you played ball…
what’s ball?
She even dares to kiss you.
But where’s the pill to go along
with that painful touch of flesh?

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The Afterworld

 
 
Clementine King
 
About the artist: 
 
“Clementine King” is an assistant professor of public health and an artist. 
 
About the artwork: 
 
“This graffiti scene struck me as I made my way through a tough day with depression. It must have been created by multiple artists, at different times, with different intentions. But taken together, at this moment, was there a message in it? The peaceful world above, the chaos below and the light on the far end of the walkway? Who knows, it may be painted over tomorrow.”
 
Visuals Editor: 
 
Sara Kohrt
 

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25 Minutes

Pager rings. Just 5 minutes to get to the ED. Calling down as I rush to the trauma elevators, they tell me over the phone “Shots fired at a hotel in downtown Los Angeles.” I know that place…

At least 3 people arriving. The ED is bustling, preparing for their arrival. Blade and Prolene stitch in my scrub pocket, I am ready. We are ready.

For a moment the ED almost seems silent.

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The Turkeys

Lou arrived alone when she’d come for her blood pressure and itchy skin. Sharp, funny, she told me of her daughters, grown up and far away, and her life in the neighborhood as it changed around her. She had lived there for decades, long after her husband left, long after raising two on her own, long after the cottages around her were torn down for industrial sites. Neighbors were scarce and stray dogs plenty.

When her daughter arrived with her, I knew something had changed. Having driven sixty miles to bring her, Lou’s daughter was here to report on the increasing forgetfulness, the neglect of her garden. She was worried her mother was developing dementia and wanted her to move closer, where she could keep a better eye on her. Lou was having none of anyone else keeping an eye on her, though. We talked about memory and independence and safety and planning—at least as much as one can squeeze into a protracted twenty-minute visit. We all agreed to watch.

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It Takes a Tokyo Village

Ruth Harimoto

 I have lived in Japan for more than half of my life. I first came here as a nine-year-old child, the daughter of a missionary. Later, after several years of study and work in the US, I returned as an adult with my Japanese husband. You’d think that after more than thirty years here, I could almost call myself Japanese! But no. In this homogeneous country, I’m still a foreigner.

The role of a foreigner in Japan is, for the most part, a comfortable one. Japanese people are polite. They don’t expect foreigners to know Japanese, so when I do speak it (with my learned-as-a-child accent), I’m applauded and praised. This role can also be lonely, though.

As I go about daily life, my five-foot-seven height and Caucasian features automatically set me apart; there’s no possibility of melting into the crowd. Small children stare at my blue eyes and light hair. Sometimes, on a crowded train, the open seat next to me will remain open. Gaijin, the Japanese term for anyone non-Japanese, means “outside person.” I must accept that I am, and always will be, a gaijin.

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