Shahé Mankerian

“The poet’s job is to translate unspeakable things on to the page…” – Roger Robinson

In the beginning, the Lebanese civil war barely seeped through the ceiling of our living room. It didn’t shatter windows or infiltrate through cracked walls. It became a slow fixture at our dinner table, nibbled on Mama’s delicately wrapped grape leaves, inhaled Father’s unfiltered cigarettes, listened to my older brother practice scale after scale on the upright piano and sat on the Persian carpet with my younger brother to rearrange his Matchbox cars. In our Armenian family of five, the war felt mute—a sixth character without words, an unobtrusive intruder who was given permanent residency.