Interpreter of Cries
I’m a pediatrician, and the aftermath is when my capable medical assistant or nurse goes in after me to give a vaccine or check a hemoglobin level or administer a shot of antibiotics because the oral antibiotic isn’t working.
I’m a pediatrician, and the aftermath is when my capable medical assistant or nurse goes in after me to give a vaccine or check a hemoglobin level or administer a shot of antibiotics because the oral antibiotic isn’t working.
Marc D. Wager
When I was in medical school, more than thirty years ago, I felt I received pretty good training on how to communicate clearly and effectively with patients and families. I even remember the name of the fictitious character we had to practice telling about his wife’s demise: “Mr. Gottrocks, I’m afraid that your wife has taken a turn for the worse; I think you should come to the ICU right now.” As a pediatrician, more recently, I’ve been trained to discuss vaccines in a nonjudgmental way with parents who, contrary to my wishes, decide not to vaccinate their children.
Despite all of this training, though, and despite many articles on the merits of doctors admitting their wrongdoing, nobody ever taught

Cathleen Mahan
About the artist:
Cathleen Mahan is a contemporary visual artist and a former critical-care nurse. She maintains an active studio practice in Portland, Maine. “Putting pencil to paper or hands to clay is, for me, a doorway into a nonverbal world outside of time that offers deep healing and balance. It is also where I feel most alive.”
About the artwork:
“Brought to tears by the change-of-shift report describing the circumstance of this young boy’s traumatic injuries, I struggled to enter
Lifted in my hands, his tone is great, his gaze intensely locks on mine. Put back down, his arms and legs flail enthusiastically. Cheeks are chubby, soft skin is pink. He passes the gestalt test – no worrisome sense that something is not quite right.
The day began like every other summer day. My eight-year-old son and six-year-old daughter ate their cereal, watched Sesame Street, and played—him with his Star Wars figures and her with her Barbies. After lunch, they gathered a few favorite books and toys to entertain them while they waited in the pediatrician’s office for their annual physicals.
Normalcy ended when the physician announced: “Your daughter has a severe curvature of the spine. She needs to see a doctor who specializes in scoliosis.”
Scott Newport
It was another day at a renovation project on the fourth floor of an office building. Glancing at my iPhone, I noticed that my buddy Dave had called a couple of times. Now, coming down a stepladder for what seemed like the hundredth time, I saw his name pop up again. This time I set down my hammer and found a quiet place.
“Hey Scott, ol’ buddy, I got a request,” Dave said. “Last week at hunting camp, a friend of mine was impressed with my restored knife. As we were sitting around the campfire, I told him that you’re kind of a blacksmith, and that you refurbish knives. I wonder if you could fix up his, too. He lent it
However, underneath many of the t-shirts are chemotherapy ports and surgical scars, below the hats are bald heads and behind the smiles are fears, memories and young lives impacted by cancer. Yet walking through the camp’s rainbow-adorned gates, I lead the children into a world of hope. A place without needles, hospital beds, pain or isolation, a place where they can be free. Free of IV poles, free of worries, free of the stares of strangers, free of the word “cancer.”
Gingerly, I slide my hands under his sausage-like arms, my fingers cradling the doughy curves of his tiny neck, caressing the orange-yellow cornsilk on his occiput. Slowly, I lift him from the sterile white mattress he’s called home for the month since his exit from the womb, since his insurmountable hurdles began.
Jacqueline Dooley
Three years ago I spent the entire month of September by my daughter’s side in her hospital room. From Ana’s window, we watched summer fade into fall as we waited, day after day, for her to be discharged, which finally happened in early October.
During her forty days in the hospital, Ana was diagnosed with an obscure, slow-growing cancer called inflammatory myofibroblastic tumor. The tumor, roughly the size of a cantaloupe, engulfed her liver. Her oncologists formulated a plan of action involving chemotherapy, steroids and a Herculean attempt to save her liver so that she wouldn’t need a transplant.
Ana was eleven years old and about to start sixth grade when she was hospitalized. She loved singing, drawing and being

Trisha Paul
About the artist:
Trisha Paul is a second-year medical student at the University of Michigan. She recently published a book based on her undergraduate thesis called Chronicling Childhood Cancer: A Collection of Personal Storiees by Children and Teens with Cancer. Trisha blogs about her experiences learning, researching and teaching about illness narratives at illnessnarratives.com.
About the artwork:
“I started volunteering with children with cancer when I was a teenager. My experience in pediatric oncology awakened me to the
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