Rachel Hadas
One: secretarial computer screen:
appointments, cancellations. Two: machine
we’re here for, registering your heart’s each pump
with grainy images that throb and jump
in sync with the obscure interior.
Three: anticlimactic VCR
screen, a tiny, garish old cartoon
squawking and jerking in the darkened room.
Past these
Veneta Masson
Your tests show
the numbers 73, 90, 119 and 2.5,
the letter A,
the color yellow,
a straight line interrupted by a repeating pattern
of steeples and languid waves,
a gray asymmetrical oval
filled with fine white tracery,
35 seconds,
100 millimeters,
II.
I’m not
Arthur Ginsberg
Exhaustion sets in by day’s end
when the old Pakistani woman
hobbles into my office.
Raccoon eyes underscore the pain
she feels in her left leg. More cavalier
than a Hippocratic disciple should be,
I pull up her djellaba* to expose
Pamela Mitchell
what if we went slowly thoughtfullyabout the business of healing
what if I bowedto you and you to mebefore we touched aching bodies
what if we saidout loudthisis sacred workmight I be madeworthy
what if I blessed your handsand you minebefore we began
repairingdeliveringdressinglistening to
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