
Walnut Shells and BRCA
If I was going to write a poem,
It would be–
It probably shouldn’t be–
About how much I hate the dog.
The way he licks his paws for hours
In the middle of the night
When the baby is no longer crying.

If I was going to write a poem,
It would be–
It probably shouldn’t be–
About how much I hate the dog.
The way he licks his paws for hours
In the middle of the night
When the baby is no longer crying.
“Hold your breath,” the technician states.

Marla Lukofsky
About the artist:
Marla Lukofsky is a standup comedian, inspirational speaker, jazz singer, cancer survivor and writer. Her stories have been published in various narrative medicine journals, including Cell2Soul and Health Story Collaborative. With two TEDx Talks to her credit, Marla continues to share her experiences in the hopes of helping others.
About the artwork:
“I drew ‘I Love Women’ while touring the new Getty Museum in Los Angeles, where I was living. At the end of the tour, there was an art room with numerous drawing supplies
Susan S. Turner
When I find a lump in my left breast I am stunned. I probably shouldn’t be surprised, but I’m immobilized. It takes me several days before I tell my partner, who has to push me into action. I get the referral from my doctor and schedule a mammogram. The radiology practice fits me into their schedule that same week, but I still have several days to sit with the unknown.
Finally the day of the appointment comes. I wait in the reception area for an hour before the X-ray technician calls my name. As we walk to the exam room, me in my usual long leg braces and aluminum forearm crutches, she is chatty and asks, “How did you get
There are many ways to be naked. There’s physical nakedness, and there’s also the nakedness of feeling vulnerable. When my body and hence my life have been out of control, it has felt like nakedness. When I have had no covering against the elements, whether physical or psychological, I have felt naked.
Alice Y. Kim
When Teresa showed up forty-five minutes late for her appointment, I sighed. I knew this would disrupt our clinic’s afternoon schedule.
That was nothing unusual, though. The clinic treats large numbers of patients who are undocumented, homeless and uninsured, and many must walk or take public transportation to get here. After seven weeks on rotation here as a third-year medical student, I knew that appointment times were flexible.
As I read Teresa’s notes and recent lab results, the nurse came in.
“Teresa’s blood pressure is 210/122,” she told Dr. Fuentes, the attending physician.
Kristen Knott
“Do you need help getting undressed?” Jon asks from the doorway of our bedroom, one hand holding his BlackBerry, the other tucked into the front pocket of his baggy jeans. His head is slightly tilted, his eyebrows arched, highlighting his forehead wrinkles.
His phone vibrates, drawing his eyes from me to the incoming message. I wait.
Jon reads, ponders and then looks up, half-absorbed in what he’s just read, and registers that I’m still on the bed. His face lights up.
I now have his full attention.
“I think I can manage,” I say, “but I may need help with my shirt.”

Danielle Shamlian
About the artist:
Danielle Shamlian is a freelance photographer in eastern Massachusetts, specializing in children and family photography. She received her degree in photography from Boston University Center for Digital Imaging Arts. In May 2014, she was diagnosed with an aggressive breast cancer. This shock was the beginning of an overwhelming two years. She’s gone through rounds of chemo, radiation, a bilateral mastectomy and reconstructive surgery, and she continues with different treatments today. When she had to stop using her heavy DSLR camera, she began using her point-and-shoot camera and cell phone to take photos of

HeatheRoden Vda. Cabrera (submitted by Sara Cohen)
About the artist:
“I paint, draw, work in terra-cotta, glass, stone and wood. I like mixed media, and I adore metallics and glitter. Visually, I am deeply concerned with the impact of light upon a scene or an object. My themes reflect my inner and outer worlds. I often paint issues that concern me: conditions in jail, impact on victims, and medical realities. I don’t try to be controversial; however, it is imperative to me that my work be authentic–no calendar art for me! I only do art to
Carol Scott-Conner
“The plastic surgeons tell me that women who like to swim do much better with reconstruction than with prostheses,” says a young breast surgeon at our weekly Breast Cancer Tumor Board, the working conference where we discuss every new breast cancer patient before starting treatment.
There’s a slight note of surprise in her voice; to her, it’s simply another consideration when advising women before mastectomy.
For decades, the only option after a mastectomy was a prosthesis, or breast form–something shaped and weighted to fill the empty cup of the brassiere and lie, more or less comfortably, against the chest wall. I sometimes tell my patients that using a prosthesis is a bit like going back to the days when we were little girls,

Colleen Fogarty
Sitting here, waiting to teach a medical student.
My eyes lock
onto the windowed display cabinet of anatomic pathology specimens.
Aging bottles of shriveled dun-colored parts, pale reminders of bodies once vital.
My thoughts drift
my rib pain, localized, continuous, nagging.
my breast cancer, localized, excised, treated…just over a year ago.
What pains my rib?
Mets?
Muscles?
These tumor specimens cut too close.
I got my daughter to kindergarten; what about sixth grade?
About the poet:
Colleen Fogarty, an associate professor in the University of Rochester Department of Family Medicine, has dabbled in poetry and prose most of her life. Medical school temporarily killed her creative muse.
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