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Letter From the Dead

Gross Anatomy class is a rite of passage, and has been so for a few hundred years. Generations of first-year medical students have spent months dissecting cadavers and painstakingly learning the intricacies of human anatomy.

I well remember my first day of class—the overpowering smell of formaldehyde and the unnerving sight of a roomful of twenty-five dead people lying supine, their faces and genitals covered, on metal tables.

Assigned by the alphabet, four students to a cadaver, my peers and I (Fabert, Ferris, Flamm and Fleming—my maiden name) stood gingerly next to our cadaver, careful not to get too close. We shifted uneasily. Touching our cadaver (a woman) for the first time, even with gloves on, was disquieting.

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The Bodies Green and Blue


Krupa Harishankar

Reflections from the anatomy lab
overlooking Central Park

Reluctant, the same green

light over that copse of trees

and sheet of lawn glares and

bends through the lifted-open

cage of ribs, branched veins,

and cragged spine. Exposed,

my hands appear on the gurney

as a child’s. The one across 

needled grass applauds small

palms, not distant, but sound

mutes here. Joy does not carry

heft like limbs of the

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The Arm

David G. Thoele

I was on the cusp of my first year in medical school, and time was running out. Classes started in two weeks. I needed a place to live–ideally someplace cheap, not too far from school.

There was an opening at Phi Chi medical fraternity, a large brick house of faded elegance located less than a block from my classes at the University of Minnesota. At $75 a month for a tiny room in the co-ed fraternity, it fit my budget. When I learned about the “beer machine,” an old Coke machine that dispensed beer at 15 cents a bottle (a bargain in 1979), it felt like my kind of place. I signed the lease.

But throughout the entire discussion with my prospective

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Dear Joseph

Michael Terry

I stood right beside them as they slowly slid your head into a plastic bag, looped the coarse twine about your neck and tied it tightly. Like the amateurs they were, they double-knotted it to make sure nothing came loose or dripped out. Then they casually walked away, chatting about what would come next.

Within minutes the bag fogged up, and a clear red liquid pooled at the bottom.

That was just the beginning of the ritual.

I’m sure that under other circumstances you would have put up a fight, Joseph, but today you were no match for them. No matter that they were six slender twenty-somethings, and you at least six feet and 250 pounds; you were on their turf and utterly

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Witnessing Consent for an Autopsy

Patty Bertheaud Summerhays

“They just cut the abdomen like an operation, look in and sew him up. No one will know.”

I know the inside story–the body parts,
the heart, brain, liver, lungs,
kidney, spleen, bowel, and bladder
sliced on a cutting board
like loaves of bread.
The coroner donning a butcher’s apron
splattered with blood from the last
scrape of blade over bone,
slipping off the scalp like a mask.
The eyes stopping him 
like the end of sentences until
he doesn’t feel the frown of brow–
anger as he drills to its roots.

Emotions leaving both men
with a grasp of brain.

A slice of brain placed in formaldehyde
jiggles like a thought trying to collect its thoughts.

Every organ shredded and a

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Little Lady

Samyukta Mullangi

Growing up, I was the one thought to be the most squeamish about medicine–the needles, the knives, the musty smell of alcohol swabs and the rusty stench of blood. Whenever my mother, an ob/gyn, talked on the phone with her patients about menstruation, cramps and bloating, I’d plug my ears and wish for death by embarrassment. Once, standing in line for a routine TB test, I had a friend pull up a chair for me “in case you faint.” 

So my entire family thought it hilarious when I decided to go to medical school. 

“You know that residents practice stitches on each other, don’t you?” my cousin teased. 

“Consider real estate instead,” my grandmother advised.

In deference to her, I actually did go

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Triptych for John

Yun Lan


Part I: The first time I saw you

I met John 
without 
John, 
without introduction.
Cold,
cold,
cold hand.

Part II: Cadaver as Decapod

John was surely a hermit crab, having four small limbs to anchor the body and six long
limbs to advance it. He gathered sea anemones on his back, and weeds in his spiny beard. He bore
stellate scars, the digitated marks of five pointed teeth. There was a constellation of them, surely
from the care of blue spined urchins. The urchins couldn’t make him stay. Did they evict him or 
had he just outgrown his home?

Surely, his soft belly was turned out to the brine, the ocean full of predators. In each eye of
many lenses, what

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First Cadaver

He presses the Sawzall to

her chest, slices skin to bone.
This unzipping of skin does
not stop our breaths–we’re used to

invasion of the body,
the way his fingers pinch
into her pockets as though
for a cloth or a quarter.

Grasping bone ends, he spreads
her pinkish ribs, not breaking
a sweat, to find what he’s come
for: such a small thing, really,

he plucks it easily.
Fingers bloodied, he holds out
the heart to us: take it, see,
it is no bigger than your fist.

About the poet:

Shanna Germain is a poet by nature, a short-story writer by the skin

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