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Poems
During Lunch at Medical Center Hour Today
a developmental biologist shows us a video of a fertilized egg
dividing into two then four then eight cells–
a day’s worth of differentiation in a minute–
followed by a slide of a week old blastocycst drawn in cross section
with an outer cell mass or future placenta and an inner cell mass
that’s either someone already or destined to be someone
with the same constitutional rights as any non-incarcerated citizen,
and while on the subject of genes as destiny the next clip
shows an unfertilized stem cell donated by a monkey at a lab
where the genetic basis of
Spring, Summer, Fall and Winter
Cortney Davis
Spring
Thirty weeks,
and the baby’s not moving.
I listen to deep silence.
Then, the pregnant belly wakes.
From beneath the mountain,
thunder singing.
Summer
The final day of OB rotation
the medical student has a choice–
see the last patient of the day
or run to the coffee shop for a milkshake?
Milkshake wins!
What will I say when they ask me
was he dedicated?
Fall
“Why did you do this? Why did you order that?”
Full of indignation, the chief resident
My Friend the Scholar Comes at Last to Attend His Father
Norbert Hirschhorn
He considered the wasted moult of a once
large, ferocious creature: mouth agape,
muscles twitching with every rattled breath.
Agapé–my friend the scholar marveled
at the homograph, and the thing that feasted
on his father. He laid a futon at the foot
of the high white bed, some books, a laptop,
a thermos. Nearby, an emesis basin,
dentures, bedpan, glass half-full of beaded water.
Palliative Care
Stacy Nigliazzo
When I cut the stem
I knew it was just a matter of time.
I cleared the sill
and filled a crystal vase.
The petals unfurled.
The smell of summer pierced my skin
for three days.
When the first leaf fell
I added lemon pulp and crushed
an aspirin;
cut away all that waned–
the shoots were spry
one last day.
I scattered them over green earth.
Flecks of pollen
stained my lips and cheekbones.
Around the Bend
Rachel Hadas
“You see, the world is coming to an end,”
she says. We’re on the porch; our rockers creak.
Tomorrow vanishes around a bend.
For fifty years she’s been a family friend
whom I should really visit once a week,
now that the world is coming to an end.
I reach out; put my hand over her hand.
We sit and for a moment do not speak.
A rapid shadow slides around the bend
beyond which I’m not keen to understand
what lies in wait. For her, though, every look
confirms the world is coming to an end,
as
The Lone Nurse Lament
Ray Bingham
The supervisor called, she’s pulling Noel to Peds,
Where, she says, they’ve got really pressing needs.
And Nadia, poor girl, must float to 12 East,
To face the scourge of the adult med-surg beast.
Though the administrators won’t admit to a nursing shortage,
When the census hits the rapids, they attempt this portage.
So here in our quaint little Newborn ICU,
I’m left for the shift with two nurses too few.
The ward clerk’s on holiday, the housekeeper’s sick.
The supervisor’s advice?
Here’s the Thing
Martin Kohn
There are certain days
when death is just
not appropriate
When the mock orange blossoms
scent through the window
next to your sleeping son
When your wife stands naked
at the top
of the stairs
When the day stretches inside out
and the city vibrates in doo wop
riffs and arpeggios
When the scraps of paper
each containing a random word
fall to the floor
and assemble themselves
into the sonnet
you could never write–
even if your life depended
on it
About the poet:
Martin Kohn is director of the medical humanities program at the Cleveland Clinic’s
Memento Mori
Craig W. Steele
Quo Vadis Nursing Home haunts the east side of Erie Street,
squatting opposite Roselawn Cemetery, whose wrought-iron gates
gape tauntingly wide and welcoming. Today will soon be buried:
three wizened men sit rocking, speechless, on the front porch,
yearning for the shadowed marble and granite headstones,
no longer afraid of death, only of dying–suspended
between fear and need, stoically awaiting
the next busload of grade-schoolers determined
to brighten their deep-shadowed days.
Editor’s Note: Memento mori is a Latin phrase translated as “remember your mortality,” “remember you must die” or “remember you will die” [from Wikipedia].
The One She Calls Milk
Amy Haddad
Is for pain but has a longer name
she can’t pronounce. It’s for when he shakes.
She is not sure if the shakes
mean pain since these days
he often cannot say.
Earlier when he could say,
he would mimic the circle faces
on the pain chart the nurses held up to him.
He would try on expressions
until he found one that fit his pain.
He would set his lips into a thin straight line
or deeply furrow his brow. “That one.
That’s how it
